The Women’s International League for Peace and Freedom held it’s Pacific regional meeting in Auckland, and along with Peace Movement Aotearoa they sponsored a screening on Friday, April 25th at Auckland University Tech in downtown Auckland.
This is a 100- year old organization that was established during WW1, and their interest in Noho Hewa is something to take notice of because they are serious activists with an international reach.
Roti Make, Sina Brown-Davis, Rose Greaves, mois, and Marama Davidson.
It was an honor to be a part of the 3-day long gathering, and being there with the film was an opportunity to highlight the occupation of Hawaii; I was surprised to find that most of the attendees were unaware of the illegal occupation of Hawaii and grateful that they embraced the message of the film.
Closing remarks by the organizers included the following:
“Militarisation in the past has caused the colonisation of countries which are still under domination,” said Roti Make from WILPF Polynesia section. She specified Hawai’i under the USA, Rapanui under Chile, French Polynesia/Te Ao Maohi, Kanaky (New Caledonia), Wallis and Futuna annexed under France, and West Papua under Indonesia.”
It’s great that this international gathering of activists and scholars now have Hawaii on their list of countries under occupation. They also took an interest in RIMPAC for the first time, which is another issue they can discuss throughout their network.
PEACE MOVEMENT AOTEAROA is a national network for peace, social justice and human rights. Edwina Hughes, featured in the center of this photo, is largely responsible for the goings-on at PMA, and she organized my tour. Together ,with Teresia Teaiwa, professor of Pacific Studies at Victoria University, they planned for screenings of Noho Hewa and my participation at this conference on the “Military Occupation and Military Bases” panel with the other 3 wahine featured in this photo.
Asenaca Uluiviti, myself, Edwina Hughes, Kozue Akibayashi (WILPF Japan) Cherry Padilla (WILPF Philippines).
The trip to Wellington was truly inspiring. Mahalo nui to Maria Bargh, professor in Maori Studies at Victoria University, for hosting my stay there. Maria is an accomplished scholar (Editor of Maori and Parliament: Diverse Strategies and Compromises; Resistance: An Indigenous Response to Neoliberalism), and she’s a commentator on TVNZ. She’s also a mother of two beautiful, brilliant little boys.
Maria Bargh and Emalani Case at a Castro Street eatery in Wellington
Emalani Case is a PhD student at Victoria University in Pacific Studies. Her dissertation is about Hawaiki, and from what she shared with me it sounds like it will be a moving, powerful depiction of Hawaiian thought and cultural/psychological landscape of our sense of origin and expression.
Emalani and I had also had a couple of really good talk-stories about what’s happening here in Hawaii, politically and culturally. She’s an inspiration and I suspect she will be an influence in our community for a long time to come. She also spoke eloquently at the end of the q&a at the screening. So mahalo nui to her for the kind words of kokua in olelo Hawaii and in english– truly appreciated.
It was great to have another oiwi in the house at the screening, which took place at the National Film Archive; mahalo nui to Oscar Halberg, the projectionist who made my film look beautiful, and to manager, Mark Sweeney.
Tracey Whare, rapporteur and secretariat for the indigenous global coordinating group, and Edwina at one of the great restaurants on Castro Street
The 21st Annual Women’s Studies Conference at Southern Connecticut State University was a beautiful, intellectually and spiritually uplifting experience. It was small enough to be intimate and large enough to be very diverse, and the panels I was able to attend and speakers I heard inspired me and reminded me that there are women all over the world with ku’e and fearless minds and spirits.
Mahalo nui loa to las professoras Virgina Metaxas, who instigated my participation and made sure to secure the funding for me to attend and hosted me at her home. I rode all over Connecticut with Ginny and it was kind and stimulating and yes, inspiring. I also want to mahalo Tricia Lin and Rosalyn Amenta, the co-chairs of the conference and two unbelievably inspiring women– their personal AND political stories are why they are such leaders in the women’s studies community of scholars and activists.
I am honored to have been able to screen “Noho Hewa” at this conference, and to have been on the opening plenary with an amazing Puerto Rican artists and scholar, Imna Arroyo.
Spoken Word artist, MindEvolution, is an incredibly gifted and fierce poet and artist, and it was a pleasure to see her perform.
Majora Carter was the opening keynote, and her work in the South Bronx makes me wanna visit the South Bronx the next time I’m in NYC… can’t say I’ve ever had that urge!
And last, but fabulous was the closing keynote, Dr. Chung Hyung Kyung. Some of you may recognize her from “The Tribunal.” She was a part of the people’s tribunal in 1992 here in Hawaii. What an incredibly gifted, brilliant and inspired soul and mind this woman is. Truly an honor to meet her.
Aoloani and Keanu were on a panel about Connecticut missionaries in Hawaii during the 19th century. It was taped by the Hartford Seminary Library and will be uploaded to YouTube. It was the kind of conversation that is interesting and frustrating at the same time– always hard to hear about Hawaiians converting (!) and haole missionaries judging!
Aolani talks, which she said was not what she had prepared, was mainly about Hawaiian world view, and it was beautiful. She spoke to how Hawaiians saw (and still see) their world in layers of space that begin from different points of view. For instance, she spoke to the way Hawaiians envision the horizon, and the difference between something from here (Hawaii) and something or someone from the outside. In that context, whatever missionaries or anyone else brought can be understood in a completely different way if the concept of Hawaiian cosmology and is understood, even if only on the most subtle level.
Another interesting part of the conversation was when she and Keanu spoke about Captain Cook, and how when he died it wasn’t a big celebration for Hawaiians… nor was it a big deal. As Aolani said, it was just one day. He was not a huge deal for Hawaiians, although all of the haole written history books make Cook in Hawaii a big deal.
Hosted by Professor Katherine Hermes, the screening was sponsored by the Departments of History, Psychology, and the Center for the Study of Race and Ethnicity .
There were a few other Hawaiians present for the screening and a really good talk-story afterwards. from left they are: Jeremy (whose last name I can’t recall, but he’s in graduate school at Central), Aolani Kilihou, who teaches at Nawahi School in Hilo and is a graduate student at UH Hilo, and Keanu Sai, who was on the east coast giving talks at NYU and UMass Boston.
Professor Carol Austad and her husband, Bob, hosted a party for all of us at their lovely home.
The screening at Connecticut College was hosted by Charles Cocores at the Department of Education in the Blaustein Humanities Building. About 65 students were in attendance and the discussion was very intense. It’s differs from campus to campus, depending on the students and faculty who are present. At CC it was almost entirely an audience of students. Whereas the screening at Central was about 20% faculty, most of whom stayed for the conversation that followed.
NOHO HEWA screening in Connecticut
On April 8th, Noho Hewa will screen at Connecticut College in Bausten Humanities Center at 7PM
April 9th, screening at Central Connecticut State University in Vance Hall, 7PM.
At the Southern Connecticut State University’s 21st Annual Women’s Studies Conference, I will be a speaker on the Plenary, Friday, April 11th, 2PM. The conference title is “Ecology, Spirituality and Sustainability: Feminist and Indigenous Interventions.”
The film will screen the following day on Saturday, April 12th, 3:15PM at the Adanti Student Center Theatre.
I saw the news. Lou Reed died yesterday. It’s 8am Hawaii time, and way too early for that kinda knowledge.
There’s much that has, is and always will be said about his influence on music and art. He was an extraordinary poet, musician and composer. Very much a New Yorker, very much an American man, but from the edges of whatever it means to be in the love-hate relationship conscious Americans have with that identity.
I never met him, but I saw him perform once at the Greek Theater in Los Angeles. He came out on stage and said something like, “I’m very sad for your city tonight,” then proceeded to perform a show that was more like a wake than a concert. My friend and I assumed he was talking about the verdict in what became known as the Rodney King trial, wherein LAPD officers were acquitted for the brutal beating of King. Unbeknown to us, at that moment, riots raged and parts of the city were burning.
Personally, his work inspired me with a sense of the incalculable value of being honest through one’s art, keeping things real, raw, and stripped down, being fiercely open and available to the most basic process of bearing life and bearing witness to life, however beautiful or ugly or in between these two destinies, which is where most of us live.
I pasted in the lyrics below from one of his many songs that once heard, left a mark on my spirit.
To me, Lou Reed was the last great American whale.
Last Great American Whale (from New York)
They say he didn’t have an enemy
his was a greatness to behold
He was the last surviving progeny
the last one on this side of the world
He measured a half mile from tip to tail
silver and black with powerful fins
They say he could split a mountain in two
that’s how we got the Grand Canyon
Last great American whale
last great American whale
Last great American whale
last great American whale
Some say they saw him at the Great Lakes
some say they saw him off of Florida
My mother said she saw him in Chinatown
but you can’t always trust your mother
Off the Carolinas the sun shines brightly in the day
the lighthouse glows ghostly there at night
The chief of a local tribe had killed a racist mayor’s son
and he’d been on death row since 1958
The mayor’s kid was a rowdy pig
spit on Indians and lots worse
The old chief buried a hatchet in his head
life compared to death for him seemed worse
The tribal brothers gathered in the lighthouse to sing
and tried to conjure up a storm or rain
The harbor parted, the great whale sprang full up
and caused a huge tidal wave
The wave crushed the jail and freed the chief
the tribe let out a roar
The whites were drowned, the browns and reds set free
but sadly one thing more
Some local yokel member of the NRA
kept a bazooka in his living room
And thinking he had the chief in his sight
blew the whale’s brains out with a lead harpoon
Last great American whale
last great American whale
Last great American whale
last great American whale
Well Americans don’t care for much of anything
land and water the least
And animal life is low on the totem pole
with human life not worth more than infected yeast
Americans don’t care too much for beauty
they’ll shit in a river, dump battery acid in a stream
They’ll watch dead rats wash up on the beach
and complain if they can’t swim
They say things are done for the majority
don’t believe half of what you see and none of what you hear
It’s like what my painter friend Donald said to me
“Stick a fork in their ass and turn them over, they’re done”
YouTube link: LastGreatAmericanWhale
Loving Jamaica – An Evening of Poetry, Prose and Film with Esther Figueroa
Date: November 7, 2013
Time: Refreshments 6:00pm; Presentation 6:30-8:00
Where: Kamakakūokalani Center for Hawaiian Studies, HaLau ‘O Haumea, 2645 Dole Street
Sponsors: English Department, Kamakakūokalani Center for Hawaiian Studies
Here’s a link to a brilliant and informative interview Figgy did on KTUH’s “Iturnally Dread Meets Rudie’s Hi-Fi” show with DJs Tommy Fox and Irie-Sistable: soundcloud-file-esther-figueroa-interview
On November 7, Esther Figueroa, Ph.D., the Distinguished Visiting Writer in the English Department University of Hawai’i at Manoa will be giving the first ever reading from her forthcoming environmental novel Limbo (March, 2014, Arcade Publishing) and the first screening outside of Jamaica of her film “Cockpit Country is Our Home”. She will also be reading her poetry and that of others. The event is free and open to the Public.
A Jamaican independent filmmaker, writer, linguist, educator and curator/producer of art, literature and film events, Figueroa began her media-making career in Hawai’i. In 1985 she and Heather Haunani Giugni founded Juniroa Productions and produced numerous television series and specials, documentaries, educational videos, dvds, multimedia, and web content mainly focused on perpetuating indigenous knowledges, strengthening Native Hawaiian language, culture and sovereignty struggles, empowering communities, producing local content and countering the silences of mass media.
Since returning to Jamaica in 2006, Figueroa has dedicated herself to the natural environment, and has produced many films on environmental issues including fresh water and rivers, sea birds and wildlife, shoreline and marine conservation. Her award winning feature length documentary “Jamaica for Sale” about tourism and unsustainable development (www.jamaicaforsale.net) has been screened internationally. Her environmental shorts can be viewed on her you-tube channel.
Her publications include the canonical treatise Sociolinguistic Metatheory (Pergammon, 1994) and the literary anthology ” At Home the Green Remains – Caribbean Writing in Honor of John Figueroa (Caribbean Quarterly, 2003). Limbo (2014), an environmental novel about Jamaica, is her first novel to be published. She has an earlier (2001) unpublished novel about Hawai’i called Holes in the Heart.
On Friday, September 27th, FSRN, a daily, international news program that aired on stations throughout the U.S. and in other countries, went silent. I listened to the last broadcast and wept when it was pau.
For over a decade, FSRN has provided independent journalists, like myself, with a space to produce and air stories that would otherwise not be heard anywhere. Because of the collective talent and effort of professional producers, many stories about Hawaiian resistance to militarization, desecration and occupation had an audience of millions. To my knowledge, the only other news program willing to broadcast pro-Hawaiian stories was Independent Native News (INN), and that went off the air in 2006.
As a reporter, I often found myself feeling embarrassed for not being a better producer, or for sounding like a zombie because by the time I got to the end of the writing and producing and was supposed to do my voicing I was exhausted and still fighting a deadline. I usually did my voice over in a bathroom with a heavy wool coat over my head in a futile attempt to block out the urban sounds of Honolulu. And I always found it impossible to read my copy and sound perky while holding a microphone, hoping not to pick up too much mic noise!
But FSRN (like INN before them) never turned me down. They were always interested in Hawaiian stories of ku’e and mana. They even aired two, 30-minute documentaries I produced, one about Memorial Day for Hawaiians, and one about homeless Hawaiians.
The loss of FSRN is immeasurable. Even though I have not filed much for them over the past few years, just knowing they were there and that if I needed to get a story out they would be the ones to go to, meant something.
Like many, I hope the FSRN organization regroups into a news program that will still be open to Hawaiian stories and other stories from around the world. I look forward to being a part of whatever it becomes.
I’ve linked a few of the stories I filed with them here. Mahalo nui to everyone at FSRN who always made my stories better and always taught me something new about reporting and producing. It was great to file Hawaiian stories that were broadcast beside other international stories. Whether those stories were about the war in Iraq or a tsunami or any other world event, FSRN always took Hawaiian issues just as seriously, and treated them as the international stories they truly are. The producers were open to learning about the U.S. occupation of Hawaii and once understood, they never questioned Hawaiian claims to independence, they simply allowed me to report that perspective as it unfolded in front of the microphone. For this and everything else, I am forever grateful to them.
On Being Hawaiian and Homeless-2009
Public Land Development Corporation (PLDC) report-2012
US Supreme Court Takes up Hawaiian Land Title – 2009
GMO-Kalo hearing-January-2008 (23:30 into the report)
Akaka Bill Resistance – 2005 (21:50 into the report)
We’re all being distracted and hypnotized by mass media, or by people and situations hypnotized and created by mass media, or by governments and industries that use media to massively hypnotize all of us into being too afraid to believe we can change anything. But I digress.
Gifted hypnotist, Amy Marsh, EdD, DHS, ACS, CI (how’z that for an alphabet soup!), will be teaching the tools of the trade in Puna on Hawaii Island from 3 to 8 PM, Jan. 19-21. These are hypnosis certification classes, so if you are interested in a potential business, these classes lead to certification from the National Guild of Hypnotists. But if you just want to learn this art for the inroads to healing it offers, all are welcome.
Although she lives in northern-Cal, Amy has a longtime connection to Hawaii Nei and is offering scholarships to Oiwi who are interested in learning how to heal through hypnosis, but may not be able to afford the program. There is much more being offered here, so please check out Amy’s You Tube video and decide for yourself.
On a personal note, Amy Marsh is a dear friend who has used her abilities to help me through several (emotionally) painful events that I might otherwise have collapsed beneath. So I’m grateful to her and can attest to her skill and generosity as an intelligent, creative thinker and healer.
She is also an ally to Kanaka Oiwi and the Hawaiian independence movement. And her aloha for one of our longtime warriors, Ku Ching, makes her a part of our community beyond the political. Then again, to love, to be loving is one of the most political things we can do, isn’t it? Now that’s a revolution waiting to take place.
Joan and Puhipau have again graced us with something special. Na Maka O Ka Aina guys have uploaded a music video of Bernard Punikaia singing his song, “Where Birds Never Fly.” (Punikaia performance)
30 years ago, Punikaia and Clarence Naia, two Hawaiians with Hansen’s Disease who refused to vacate Hale Mohalu, a place that had been home to victims of that disease, were forcibly evicted. Punikaia lived in his car and on the streets for years after this photo was taken of him being dragged out. He refused to be institutionalized.
This is a link to an old story from the archive of thehonoluluadvertiser.